assures it will only allow funded, greenlit projects to access actors’ profiles. In addition they spun off two other services, (where you can pay $10 to pitch to Larry) and, where actors can pay to upload photos and videos in the hopes of being cast in a project. The studio was announcing back in 2007 on various filmmaking boards that it had funding for a slate of new films ranging from 2MM to 50MM “to shoot within the next two years”.
More recently, Meistrich has launched his new Nehst Studios (pronounces “Next”). When asked if they’re working for the Shooting Gallery, the 10-year-old entertainment production company that operated here until late June, one of them replies, “We’re not getting paid we’re just picking some stuff up for Larry.” ( …more)
Two guys in jeans and T-shirts edge through the clutter, wheeling a cabinet toward the elevator. Chairs, desks, and office supplies are strewn about as if a hurricane had blown through the building. On the seventh floor of 609 Greenwich Street in Manhattan, a movie poster of You Can Count On Me lies on the floor. In 1991 Producer Larry Meistrich launched The Shooting Gallery on the momentum of Laws Of Gravity, stumbled along for the next few years with a slate of art house films, caught lightning in a bottle with Sling Blade… and then the train ground to a painful stop in 2001.
0 kommentar(er)
